Lynne and Dana Sachs, two sisters from San Francisco by way of Tennessee, Connecticut, Rhode Island and other places, traveled to Vietnam in 1992 to look for the Vietnamese-American connection.
Lynne Sachs calls her latest film, Which Way is East?. A “work-in-process.” She uses the phrase to describe those of her experimental documentaries that evolve over time. This particular one started as a road trip and flowered into a political discourse: It’s a half-hour travel diary of her trip to Vietnam – a collection of tourism, city life, culture clash, and historic inquiry that’s put together with the warmth of a quilt.
Goldies Award 1993
Interview with Lynne Sachs in Berkeley Undergraduate Film Association Newsletter.
Feminist Polemics through Film Poetry by Marilyn Fabe in Wide Angle.
In The House of Science: A Museum of False Facts, Lynne Sachs exposes the edifice of scientific “facts” with which the male-dominated disciplines of science and medicine have constructed an image of what a woman is. Through-out the 30-minute film, Sachs traces the unfortunate inter-face between women and science, a terrain in which men are supposed to have all the knowledge, defining and mapping out women as their territory, while women are alienated from their own bodies.
Lynne Sachs in Film & Doba including The House of Science Script
The Village Voice, vol XXXIV No. 49 December, 1989 Choices: Film by J. Hoberman 1989 Margaret Mead Film Festival The first two days of this annual event include documentaries on Japanese war brides and Native American vets, Lapps and Papuans, Vienna remembering the Anschluss, and tourists in Yosemite. Among the highlights: Arthur Dong’s Forbidden City, […]
Lynne Sachs on Nina Fonoroff’s Department of the Interior.
