Putting Clutter to Rest / The Baltimore Sun
Lynne Sachs, a 39-year-old experimental filmmaker, has created an exhibit with special resonance for people in the era of multi-tasking.
Lynne Sachs, a 39-year-old experimental filmmaker, has created an exhibit with special resonance for people in the era of multi-tasking.
Using a camera as her paintbush, Lynne Sachs has created a place to quietly confront our need for constant clamor.
This weekend’s Memphis International Film Festival will be a homecoming of sorts for brother-and-sister filmmakers Ira Sachs and Lynne Sachs.
Lynne Sachs is Festival Judge at 33rd Annual Humboldt Int’l Film Festival.
Lynne Sachs: An American Original 1993 By Tom Erikson “I just tumbled into filmmaking,” Lynne Sachs admits. “It made so much sense to me. It gave me a chance to pull in poetry, looking at trees, listening to the sounds of grasshoppers, cars, and babies. The words go with reflections on politics to parables. And […]
Lynne and Dana Sachs, two sisters from San Francisco by way of Tennessee, Connecticut, Rhode Island and other places, traveled to Vietnam in 1992 to look for the Vietnamese-American connection.
Lynne Sachs calls her latest film, Which Way is East?. A “work-in-process.” She uses the phrase to describe those of her experimental documentaries that evolve over time. This particular one started as a road trip and flowered into a political discourse: It’s a half-hour travel diary of her trip to Vietnam – a collection of tourism, city life, culture clash, and historic inquiry that’s put together with the warmth of a quilt.
Goldies Award 1993
Interview with Lynne Sachs in Berkeley Undergraduate Film Association Newsletter.
Feminist Polemics through Film Poetry by Marilyn Fabe in Wide Angle.