With her continuous interest in personal historiography and mixed media, renowned experimental documentary filmmaker Lynne Sachs probes into this kind of urban existence beyond visual sensation. What are the stories of these unrooted people? How do they bond in this living environment? Staged in central Chinatown, YOUR DAY IS MY NIGHT is a hybrid documentary that recreates the shift-bed experience.
It’s a strikingly handsome, meditative work: a mixture of reportage, dreams, memories and playacting, which immerses you in an entire world that you might unknowingly pass on the corner of Hester Street, unable to guess what’s behind the fifth-floor windows.
New York’s Chinatown, a place as much spectral as real, flickers and flares into life in this singular hybrid of documentary, performance piece and cine-monologue.
The multimedia performance “Your Day Is My Night” from independent producer and director, Lynne Sachs, the premiere was launched in Chinatown. The film is talking about all sorts of joys and sorrows of new immigrants in the US and several Chinese immigrants performed their own stories in the movie.
A press kit, transcript, and set of stills are now available for “Your Day is my Night” set to premiere at the Museum of Modern Art in New York City in February 2013.
CHINATOWN — A multimedia performance is seeking to shine a light on the phenomenom of “shift beds,” in which struggling immigrants rent places to sleep in 12-hour installments. The performance, “Your Day is My Night,” will show at University Settlement on Eldridge Street this Thursday and Friday night, as a prelude to a documentary of the same name that will premiere in February.
The Word Journal and the The Lo-Down wrote about the upcoming combination documentary/live performance “Your Day is My Night,” a look at New York’s “shift-bed” residents, mostly Chinese immigrants who take turns sharing the same bed. The Lo-Down piece in English can be read here and the World Journal one, translated from Chinese and edited, is below.
They are living right here on the Lower East Side but most of us are oblivious to the existence, let alone the daily travails, of New York’s “shift-bed” residents. A hybrid documentary/live performance, “Your Day is My Night,” coming to University Settlement next month offers a rare glimpse into their hidden world.
In Atalanta: 32 Years Later (2006) Lynne Sachs4 takes as source material the 1974 TV show Free To Be You and Me—already an update on the classic tale of the “beautiful princess in search of the perfect prince”5—and re-edits it. She turns the image sideways, pairs different parts of the original through the use of split-screen, and plays both image and sound in reverse—providing “subtitles” for the resulting garbled voices. “The maiden from across the forest cut her hair, put on a mustache….” and the lesbian union strides onto the stage of collective imagination (and commands its role in history). Reading at the film’s tail, “for Barbara Hammer,” this retelling became all the more alive for me. In ways too manifold to express here, Hammer, legendary “pioneer of queer cinema,”6 has—like a fairy tale protagonist—found her way home time and again through many a tangled path.
When Lynne Sachs presents a 30-minute excerpt from her new film, “Your Day Is My Night,” at the National Gallery of Art on Sunday, she intends to pay close attention to how the audience responds. “I’m going to listen and I’m going to take notes on what they say,” Sachs said in a telephone conversation from her home in Brooklyn.
