These artists, in concert, express resistance and exuberance in equal measure, each using unique dimensions of cinematic space, ranging from abstract-material to narrative approaches, presenting a collage of phenomenological records of identity and a rebuttal to the term: “Essential Cinema”.
A celebration of the work of Barbara Hammer at Kyoto Minami Kaikan Art House
Participants in this workshop will have the opportunity to engage with a wide variety of practitioners.
RogerEbert.com https://www.rogerebert.com/features/the-individual-top-tens-of-2021 SIMON ABRAMS1. “Just Don’t Think I’ll Scream”2. “State Funeral“3. “Wojnarowciz: F*ck You F*ggot F**ker”4. “The Disciple“5. “This Is Not a Burial, It’s a Resurrection”6. “Days“7. “Wheel of Fortune and Fantasy“8. “The French Dispatch”9. “Film About a Father Who”10. “A Shape of Things to Come”MATT ZOLLER SEITZ1. “The Velvet Underground“2. “Summer of Soul”3. “Procession”4. […]
“With 2021 wrapping up, we’ve selected 16 features in the field that left us most impressed.”
The results are in for our 2021 poll of Film Comment’s contributors and colleagues!
“When we reflect on working women in patriarchy-dictated forms of labor, we have to also look at how it evolves in the future.” – Patricia K.
In addition to top 2021 releases, Screen Slate has once again invited contributors, friends, critics, and filmmakers.
“We are pleased to announce a conversation dedicated to the work of the artist, poet and filmmaker Lynne Sachs, who will chat with the teacher and filmmaker Libertad Gills, who is part of the Camara Lucida family.”
“My interest in people who break the rules goes way back.”
