The 18th edition of the Camden Intl. Film Festival, kicking off Sept. 15, will feature a handful of award-contending documentaries fresh off showings at Telluride and the Toronto film festivals.
“[the film] tugs, pulls, apart, anew, and so we’re guided the maze, enlightened, by the strings of love.”
In the past decade, humans have developed completely new lives on the internet, a strange and sometimes terrifying facet of reality that cinema has struggled to evoke.
In “Swerve,” Sachs separates her depiction of the pandemic from other pandemic-related films by considering how our communication with one another shifted in isolation, presenting a new challenge when we went back to socializing.
I Film, Then I amMaster.LavAugust 2, 2022https://master-lav.com/FILMO-LUEGO-EXISTO Approaches to the body, space and memory in self-referential cinema I film, therefore I exist, the course directed by Noemí García Díaz, is a space for reflection on self-referential film forms approached from a multidisciplinary perspective that includes three traditions: experimental cinema, cinema non-fiction and video art.In its […]
This Maria Lassing-like express lesson on the history of art takes us directly into the heart of this year’s focus program, searching for propitious places from which creativity emerges.
The Astoria-based Museum of the Moving Image’s monthly “Queens on Screen” series — which is not about royalty or LGBTQIA+ issues but comprises films set in one of the most diverse areas on the planet — continues July 15 and 17 with two works set in the borough.
On tonight’s show, we’ll be joined by filmmaker Lynne Sachs and poet Paolo Javier to discuss their collaboration on Lynne’s docu-film Swerve…
This exhibition names, includes, and emphasises the work of female artists and the artistic work of women, and is formed as a temporary constellation of several recent works by female artists…
Wearing the tell-tale masks of our daunting now, five NYC performers search for a meal in a Queens market while speaking in verse.
