Back in 2004, I proposed to my husband Mark Street that I start a Torah study group for our half-Jewish-half-secular-humanist (the only unofficial faith or –ism he would embrace) 9 and 7 year-old daughters Maya and Noa Street-Sachs. He agreed reluctantly and skeptically, convinced that this passing fancy of mine for constructing a homemade form of religious learning would certainly go the way of Pilates or learning to cook.
In San Francisco in the mid-1980s, I saw Chris Marker’s “Sans Soleil”. I witnessed his mode of daring, wandering filmmaking with a camera. Alone, he traveled to Japan, Sweden and West Africa where he pondered revolution, shopping, family, and the gaze in a sweeping but intimate film essay that shook the thinking of more filmmakers than any film I know. Marker’s essay film blended an intense empathy with a global picaresque. Simultaneously playful and engaged, the film presented me with the possibility of merging my interests in cultural theory, politics, history and poetry — all aspects of my life I did not yet know how to bring together – into one artistic expression.
The XY Chromosome Project (Mark Street and Lynne Sachs) presents an
evening of eight single image films of no more than five minutes to be
premiered at the Spectacle Cinema along with the screening of two
classics of the same ilk, both avant-garde and political. Special
guest filmmaker Larry Gottheim will join us for the screening of his 1970
avant- garde tour de force.
The 2009 film by Lynne Sachs is a portrait of a doctor who saw the
worst of society and ran. The Last Happy Day is an experimental
documentary portrait of Sandor (Alexander) Lenard, a Hungarian medical
doctor and a distant cousin of filmmaker Lynne Sachs.
This month, the Proteus Migration Film & Video Series will host a unique cinema-performance event which enacted throughout our various project spaces. Brooklyn-based filmmaker, Lynne Sachs, will bring us a specially designed evening of film and integrated movement pieces based on her recent work with a group of Chinese and Puerto Rican performers.
New Orleans, Louisiana’s Zeitgeist Theatre Experiments presents “The Last Happy Day” by Lynne Sachs on Wednesday, April 18 at 8:15 p.m.
A collective of Chinese performers living in New York City explores “shiftbeds” through verité conversations, character-driven fictions and an integrated movement piece.
Here is a poem I wrote before the passage of Obama’s Health Care plan. The worry continues as we speed our way toward the next election.
The Round Robin Artist Collective has invited the cast and crew of my film “Your Day is My Night” to perform a live theater improvisation and interactive conversation at their Arts@Renaissance space in Greenpoint, Brooklyn on the evening of Thursday, March 8.
“The wonderful thing about NYC is that you can experience so many different kinds of environments. This uncharacteristically sunny November afternoon I catch up with Lynne Sachs, who has had work screened at the last two VideoFest. I compliment her on her beautiful website and we talk about the use of text and media and history in her work.” Raquel Chapa, Ass. Dir. Dallas Video Festival
