BBC Talking Movies talks to Barbara Hammer & Lynne Sachs about Maya Deren
BBC Talking Pictures host Tom Brooks interviews Barbara Hammer and Lynne Sachs on the work of Maya Deren.
BBC Talking Pictures host Tom Brooks interviews Barbara Hammer and Lynne Sachs on the work of Maya Deren.
“The Washing Society” screens at Indie Memphis and the National Civil Rights Museum with “I am Somebody”.
The Washing Society wins the Audience Award in the “Departures” (Experimental, Hybrid, Alternative) Category at Indie Memphis.
We’re tickled pink to welcome back prodigal daughter Lynne Sachs, here with Lizzie Olesker to anchor a program on women’s labor, both manual and intellectual.
Through creative juxtapositions of narrative and documentary elements, filmmaker Lynne Sachs and playwright Lizzie Olesker chronicle the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there.
“The Metrograph is showing ….. Lynne Sachs’s almost tactile resurrection of the resistance to the Vietnam War, Investigation of a Flame.
With the Midterm Election approaching, Devon Narin-Singh put together this program to explore a different way of political filmmaking. Each of the films in this program use a personal poetic expression as a jumping off point to explore larger political issues. Produce in the aftermath of Drumpf’s Election, each of these films advocate for the need for artistic expression and joyous ways of rebelling.
In this Filmwax podcast discussion, we re-unite 4 of the 12 people from that unforgettable weekend a few summers back during the shooting for “Tip of My Tongue”, including myself, Accra Shepp, Andrea Kannapell and Lynne.
“When Capitalism Sets the World on Fire: Vancouver International Film Festival takes a sobering look at today’s economic reality with a handful of powerful docs.”
Lizzie Olesker and Lynne Sachs’ film is a creative, often lyrical study of laundromat service workers in New York City – women who do a hard job for far too little money. Using a mixture of actors and real industry workers, the directors create a portrait of economic oppression and human resilience that provokes dismay and empathy in equal measure – and yet the hard dose of reality is leavened with poetic visual touches and a warm, humanist tone.