Lynne Sachs films her daughter Maya at 6, 16 and 24. At each iteration, Maya runs around her mother, in a circle – clockwise – as if propelling herself in the same direction as time, forward.
Capturing the urgent, anchoring spirit of prime time telecasts, Prime Time Reverie stages a fragmented history of television as a women’s medium.
MajorDocs and ‘Film About A Father Who’ on Spanish TV.
María Vera of Kino Rebelde – a festival distribution and sales outfit specialising in hybrid work, non-fiction and experimental film – bemoaned the lack of focus on distribution and marketing at film schools and universities.
Fascinations: Progress26th Ji.hlava International Documentary Film FestivalFestival Dates: October 25-30, 2022https://www.ji-hlava.com/programove-sekce/fascinace-pokrokFilm page: https://www.ji-hlava.com/filmy/a-potom-jsme-pochodovali Fascinations: Progress This year, in the ongoing series of retrospectives devoted to the history of avant-garde film through the ways of representation of certain topic or motive, we want to map the representation of “progress”. Something inscribed in the nature of the […]
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr.
In this screening we invite you to watch and discuss select works by Sachs that defy genre through the use of hybrid forms and cross-disciplinary collaboration, incorporating the essay film, collage, performance, documentary, and poetry.
Things have changed a lot, over the years. Back then if someone asked me where they could watch my films I just could say that they were only screened at film festivals or museums.
From October 4 to 8, 8 films from around the world will be screened, and professional conferences will be organized, such as the master class of the Venezuelan Goya nominee Andrés Duque
We wrap the month’s programs on October 27 with A Reality Between Words and Images, a screening of works by Lynne Sachs with the artist in attendance.
