Tennessee Literary Magazine Features a Poem from “Year by Year”
Chapter 16 – A Community of Tennessee Writers, Readers & Passersby features Lynne Sachs’ poem “2010” from “Year by Year”.
2020
WRITING
2020
My Body, Your Body, Our Bodies: Somatic Cinema at Home and in the World by Lynne Sachs
How do we negotiate the photographing of images that contain the body? What experiential, political or aesthetic contingencies do we bring to both the making and viewing of a cinema that contains the human form? If a body is different from our own—in terms of gender, skin color, or age—do we frame it differently? As […]
2020
The Experimental Lecture Series at NYU (2007-2023)
Collected posters from the “Experimental Lecture” series presented by NYU’s Film and Television and Cinema Studies departments. Curated by Lynne Sachs with Jonathan Kahana & Dan Streible.
2020
Tender Buttons Press publishes Year by Year Poems by Lynne Sachs
When filmmaker Lynne Sachs turned fifty, she dedicated herself to writing a poem for every year of her life, so far. Each of the fifty poems investigates the relationship between a singular event in Sachs’ life and the swirl of events beyond her domestic universe.
2020
Rob McLennan Interviews Lynne Sachs – Year By Year Poems
Lynne Sachs talks process and inspiration with Rob McLennan.
2020
McNally Jackson – Double Trouble in the Roaring Twenties: Valery Oisteanu and Lynne Sachs
New York poets Valery Oisteanu and Lynne Sachs make distillations, sometimes with words, sometimes with images.
2020
Women & Hollywood: “Collaboration Taught Me Different Ways of Making Films and Seeing the World” by Lynne Sachs
As women in the director’s chair or anywhere else on a set, we should celebrate the bonds we build together behind the camera.
2020
Greenlight Bookstore: An Evening with Tender Buttons Press
To celebrate the press’s 30th birthday and the publication of the new Tender Omnibus collection, Greenlight hosts a night of reading and conversation featuring three Tender Buttons poets.
2020
In Celebration of the Darkness: What Can Happen When the Lights Are Out
I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.
2020
Grasshopper Film – Single Take: Lynne Sachs on Jean-Luc Godard
As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.
