Being and Seeing with Jem Cohen
A few nights ago, on the first crisp evening of autumn, I emerged from a film screening at the Millennium Film Workshop onto East 4th Street in Manhattan with Jem Cohen. Nested in the sublime clutter and cacophony of the Lower East Side, this block between 2nd and 3rd Avenue is home to some of the most innovative theater and film venues in New York City. It’s a dark, quiet, albeit decrepit, building that seems to hide its cinematic and theatrical secrets with a kind of futuristic pleasure. As we headed east toward the subway that would lead us both to our homes in Brooklyn, Jem gasped, not really out of fear or even surprise, but rather as if an internal light had gone on inside his mind, awakening a memory he needed to release. “Wait,” he exclaimed, “let’s go this way instead. I want to show you the most beautiful building in New York City.”