Docs in Orbit / Masters Episode – Lynne Sachs – Part 1
Lynne Sachs discusses feminist film theory, experimental filmmaking, and her collaborative approach in this two-part interview.
Lynne Sachs discusses feminist film theory, experimental filmmaking, and her collaborative approach in this two-part interview.
I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.
As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.
I feel a closeness to writers, poets and painters, much more than to traditional film directors. For one thing, we ciné experimenters are not bound by the plot-driven mechanics of cause and effect that, for me, often bring the transcendent experience of watching a movie to a grinding halt.
Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.
I am in Greece with my sister Dana Sachs, my brother-in-law Todd Berliner and friend Jennifer Maraveyais, as part of Humanity Now: Direct Refugee Relief program.
As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.
“Tributaries: Zora Neale Hurston and Other Chroniclers of the Deep South” at MoMA includes films by Zora Neale Hurston, Pare Lorentz, and Lynne Sachs
A collection of thoughts from my time in Beijing where “Your Day is My Night” screened at the China Women’s Film Festival.
Writing on my trip to Tijuana, Mexico for Bordocs Documentary Forum.