Filmmaker Lynne Sachs shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.
For the first three years of my twin niece’s and nephew’s lives, I used my 16mm Bolex camera to film them growing up in New York City with their two dads (my brother Ira Sachs and his husband Boris Torres) and their mom (Kirsten Johnson). The film ends with a Gay Pride Day embrace.
EVERY FOLD MATTERS is a live performance and a film project that looks at the charged, intimate space of the neighborhood laundromat and the people who work there.
I spent a day with my mother and stepfather shooting Super 8mm film in my childhood home in Memphis, Tennessee.
Poetry watches film. Film reads poetry. Paolo Javier’s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas. Syntactical ruptures and the celebration of nouns illuminate twenty-five years of rediscovered film journeys.
A short film created with Mark Street for Punto de Vista Film Festival (Pamplona, Spain).
I spent a morning this winter in Central Park shooting film in the snow.
In the spirit of the RIDE (Risk/Dare/Experiment) series, Sachs and a small group of Pratt students will present Extra Long Twin, their original 15-minute live film-performance as a finale to the program. Expanding upon the theme of the bed in Sachs’ film Your Day Is My Night , Pratt art students will utilize the bed as a starting point for inquiry into the personal and collective experience of living in a New York City apartment or dormitory.
